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Enid Tsui
Editor, Arts
Enid Tsui is the Post's Arts Editor. Her previous positions include the Hong Kong correspondent and Asia companies and markets editor of the Financial Times, presenter on RTHK Radio 3 and editor-in-chief of CFO China, a finance magazine published by the Economist Group. She has an MA in art history. Her book "Art in Hong Kong: Portrait of a City in Flux" was published in January 2025.
Enid Tsui is the Post's Arts Editor. Her previous positions include the Hong Kong correspondent and Asia companies and markets editor of the Financial Times, presenter on RTHK Radio 3 and editor-in-chief of CFO China, a finance magazine published by the Economist Group. She has an MA in art history. Her book "Art in Hong Kong: Portrait of a City in Flux" was published in January 2025.
Areas of Expertise:
Visual art and the performing arts in Asia; art history; art market; cultural policies
Languages Spoken:
Cantonese, English, Mandarin
The theme of the Biennale was to slow down enough to hear ignored voices, but Hong Kong’s pavilion might have taken things too far.
The Tang Chang Private Museum opens on May 1 as the Bangkok-born artist’s family aims to show the world his work before it’s too late.
‘White glove’ sales at Christie’s and Sotheby’s March Hong Kong auctions are cause for optimism, but must be put into perspective.
Shahzia Sikander’s video work offers a deep rumination on time and historic cycles as Hong Kong stands at a profound crossroads.
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Two Hong Kong queer female artists explore fantasy and reality in exhibitions that challenge norms and reflect on identity and migration.
Flight cancellations via the region leave art fair participants juggling logistics, though organisers say impact remains limited.
The ever-expanding list of art week happenings can be daunting, so we have narrowed it down to a hand-picked list of must-sees.
Rong Museum of Art, a flower-like structure within the M80 Campus in Shenzhen’s Houhai district, will open in 2027.
The new Para Site executive director talks about his plans to make contemporary art accessible in Hong Kong, censorship and more.
‘Trust’ author Hernan Diaz talks about his lauded 1920s New York-set novel and architectural power symbols on his first visit to Hong Kong.
Cross-cultural and gender-blind, Sebastian Kaiser’s stage adaptation of Liu Yichang’s 1962 novel stays true to its rebellious spirit.
Hong Kong’s ‘art week’ in March unveils a series of exciting initiatives, from edible art fairs and open-air exhibitions to tours.
Showing in Hong Kong, Trump on Show 4.0 combines political satire and surreal Sino-US commentary but feels like a ‘paper tiger’ with no bite.
Hong Kong artists Angel Hui and Kingsley Ng turn the ubiquitous plastic bag for pet fish and metal windows into art for the Venice Biennale.
‘A Day’ by Zhang Peili is a 12-minute, 360-degree visual onslaught meant to resemble the interior of our own social-media-saturated minds.
Pavilion offers a slower alternative to the ‘hyper-accelerated pace’ of Asia’s big contemporary art fairs, says one of its co-founders.
American-born curator Philip Tinari, long-time head of Beijing’s UCCA Centre for Contemporary Art, is set to replace Pi Li.
As Hong Kong’s Asia Art Archive turns 25, we talk to its executive director Özge Ersoy about managing the institution’s 150,000 plus artefacts.
Sterile AI-driven designs at the Bi-City Biennale of Urbanism\Architecture are at odds with a group’s efforts to preserve community stories.
Animator Wong Ping and ceramicist Heidi Lau share the Sigg Prize 2025, a contemporary art prize awarded by Hong Kong’s M+ museum.
Sotheby’s, Christie’s and Phillips report combined projected total revenue of US$14.1 billion for 2025 as the US leads the way.
‘A Veiled Revelation’ sees Hung Fai disrupt his previous, more calculated style to reveal a chaotic vulnerability in his newer works.
The pairing of Kingsley Ng and Angel Hui for Hong Kong’s exhibition at the 2026 Venice Biennale presents a study in contrasts.
An anonymous donation of 131 artworks to the Vancouver Art Gallery elevates the international profile of Hong Kong art.
Canada-based Lam Tung-pang’s fragmented works search for hope in his new exhibition at Galerie du Monde in Taipei.
The Taipei museum’s centennial exhibitions feature spectacular works spanning paintings, sculptures, pottery and more.
Jun Li Jun-shuo’s time-jumping play with Patra Au about Chinese people living in a crumbling America asks one very uncomfortable question.
The fair yielded ‘satisfying’ sales for some galleries as Taiwan’s art market navigates geopolitical tensions and global uncertainty.
Hong Kong playwright Candace Chong reflects on the off-on-off decision to cancel her play We Are Gay starring Antony Wong.
